WHY THE 50MM LENS IS PERFECT FOR LANDSCAPE PHOTOGRAPHY

The Canon FD 50mm f/1.8 dates back to 1979

When most people think of landscape photography, their minds often jump to wide-angle lenses, capturing as much of the scene as possible. However, for me, the 50mm lens reigns supreme, especially when mounted on my trusty 35mm film camera. Whether I’m wandering through the city or hiking in remote terrain, the 50mm lens is always around my neck, ready for action. 

In this article, I’ll explain why I favour this classic focal length and how it enhances my landscape photography.


1. THE 50MM LENS SEES LIKE THE HUMAN EYE 

One of the main reasons I gravitate towards the 50mm lens is its natural field of view. This focal length closely mimics how the human eye sees the world. Unlike a wide-angle lens that can distort reality or telephoto lenses that compress depth, the 50mm offers a true-to-life perspective. When you frame a landscape through this lens, it feels authentic and relatable, capturing the world as it is seen by those who experience it.

This natural viewpoint allows me to compose my shots in a way that connects with the viewer on a deeper, more intimate level. The landscapes feel personal, not exaggerated, which, for me, makes the 50mm perfect for storytelling.

Surfer stood on the rocks at Hartland Quay in Devon

Surfer at Hartland Quay in Devon captured with a 50mm lens by Karl Mackie

2. COMPACT, PORTABLE, AND ALWAYS READY

A huge part of landscape photography is being prepared for that fleeting moment when the light is just right, or the clouds suddenly part to reveal a breathtaking view. The last thing I want is to be fumbling through a bag for the right lens or weighed down by bulky equipment. The 50mm lens solves this problem effortlessly.

Its compact size and lightweight design mean it’s always on my camera. I never have to second-guess what to take. Because it’s small and unobtrusive, I can wear it around my neck comfortably for hours without feeling burdened. This portability ensures I’m always ready to capture the shot without breaking my back, making it my ideal companion for long hikes or spontaneous shoots.

“VERSATILITY, PORTABILITY, AND NATURAL PERSPECTIVE”


3. VERSATILE for more than just landscapes

Though I primarily use the 50mm lens for landscapes, it has a remarkable versatility that shouldn’t be overlooked. I can easily switch from capturing expansive vistas to snapping more intimate, behind-the-scenes moments. Whether it’s focusing on a runner on the trail, a detailed shot of a surfer, or the textures of the surrounding foliage, the 50mm allows me to diversify my photography without switching lenses.

For landscape photographers who also want to document the journey or capture subtle details that enrich the overall story, this lens is a perfect all-rounder.

Shot on Kodak Portra 800 Film with the Canon FD 50mm f/1.8 lens by Karl Mackie


4. THE POWER OF STITCHING: CREATING A WIDER SCENE 

One might argue that the 50mm isn’t wide enough for certain expansive landscapes, and while that can be true, the beauty of digital and even film photography is that we can stitch images together. If I feel that a single frame doesn’t do the scenery justice, I simply shoot a series of images and later stitch them together in post-production. This technique allows me to recreate the effect of a wide-angle lens while still enjoying the benefits of the 50mm’s natural look and portability.

With a bit of practice, image stitching can open up new possibilities, enabling you to create panoramic landscapes without sacrificing the depth and realism that a 50mm provides.

Waves breaking at Watergate Bay

Vista II was created from over 20 individual images captured on a 50mm lens and stitched together - by Karl Mackie

5. MY PERSONAL CHOICE: THE 50MM ON A 35MM BODY

Many of my prints, are shot using a 50mm lens on a 35mm film body. I love how this combination delivers sharp, timeless images with a rich depth of field that I find hard to achieve with any other focal length. The 50mm lens on a 35mm body strikes a perfect balance – wide enough to capture the grandeur of a scene but still intimate enough to pull the viewer into the frame.

Film, in particular, adds a layer of nostalgia and texture to the landscapes I capture, and the 50mm lens, with its clarity and simplicity, perfectly complements this medium. This setup has been my go-to for years, and it continues to be the lens I trust for capturing the essence of the landscapes I explore.

Noosa Surfer Girl Print

Solo II by Karl Mackie

CONCLUSION: WHY THE 50MM LENS REMAINS MY FAVOURITE 

For me, the 50mm lens is more than just a piece of equipment; it’s a tool that aligns with my vision as a landscape photographer. Its natural field of view, portability, versatility, and adaptability make it invaluable. Whether capturing a sweeping landscape or documenting the journey, the 50mm helps me stay ready for whatever scene unfolds.

If you want to simplify your gear without sacrificing quality, give the 50mm a try. It’s more than capable of capturing the beauty of the world around you, just as it has done for me.

If you have a passion for photography and want to learn more, consider joining our one-day workshop in Cornwall, which runs throughout the year.

One-Day Photography Workshop

You can find more of my work on Instagram: @karl_mackie, and on my website: karlmackie.com

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THE ROMANCE OF A PRINT: CAPTURING MOMENTS, MEMORIES, AND MAGIC

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10 SURF PHOTOGRAPHY TIPS FOR BEGINNERS USING DIGITAL & 35MM FILM